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Artist Reviews

Hailed by critics as an "especially compelling" and "superb violinist" with "exceptional talent," whose performances are "energetic and exquisite." 
 

Baroque Razzle-Dazzle

Monday, December 31, 2018 at 9 pm

Zilkha Hall / Hobby Center For The Performing Arts

Our New Year’s Eve spotlight shines on violinist Adam LaMotte and Ars Lyrica core instrumentalists, as we ring in 2019 with three dazzling concertos. The first and third “Brandenburg” concertos are brilliant ensemble works for strings and winds. Baroque Razzle-Dazzle pairs these works with an equally extravagant violin concerto by Bach’s close contemporary Giuseppe Antonio Brescianello, who served the Württemberg court in Stuttgart.

  • Telemann, Ouverture-Suite in C, TWV 55:C6
  • J.S. Bach, "Brandenburg" No. 3, BWV 1048
  • Giuseppe Antonio Brescianello, Violin Concerto in G Minor
  • J.S. Bach, "Brandenburg" No. 1, BWV 1046

FEATURED SOLOIST

  Adam lamotte , violin

Adam lamotte, violin


ABOUT THE SOLOIST

Violinist Adam LaMotte is becoming well known to audiences throughout the country as a leader of both period and modern ensembles.  He has appeared as soloist, concertmaster, and conductor of numerous orchestras, including the NorthwestSinfonietta in Seattle, String Orchestra of the Rockies, Astoria Festival Orchestra, Portland Baroque Orchestra, and the Maggini String Orchestra in Houston.As violinist and violist, Adam has been hailed by critics as an "especially compelling" and "superbviolinist" with "exceptional talent," whose performances are "energetic and exquisite." As Artistic Director of the Montana Baroque Festival, he brings first-class period instrument performances to the rural Montana community.  He has co-founded two critically-acclaimed ensembles, in Portland and in Houston, and continues to produce many chamber music and chamber orchestra performances.  In collaboration with ensembles such as American Bach Soloists, Portland Baroque Orchestra, Ars Lyrica, and Chanticleer, Mr. LaMotte performs on period instruments, using a fine Italian instrument made in 1730 by Bernardo Calcagni, for which he is indebted to his generous patrons who made the purchase possible.